Panel 9 - Handcraft

In this panel we can learn about the construction processes of buildings in the Visigothic period, the tools they used and how construction was carried out.

1. Gold and Silver Work

Goldsmithing is among the most renowned elements of Visigothic society. In Reccopolis, the existence of workshops has been documented through the discovery, in the commercial building area, of tools for manufacturing prestigious objects such as rings, earrings, and pendants.

The limestone molds uncovered illustrate the manufacturing process for a bronze pendant. The metal was melted in a crucible using furnace heat, then poured into the mold with tongs. This liquid metal filled the carved grooves in the stone, forming the pendant’s design. Once poured, it was allowed to cool before separating the two mold halves, revealing the finished object ready for polishing.

Handmade earring with three piercings made of silver.
Handmade earring with three piercings made of silver.
Handmade leaf-shaped pendant made of gold.
Handmade leaf-shaped pendant made of gold.
Depiction of a goldsmith pouring molten metal into a mould to make earrings.
Depiction of a goldsmith pouring molten metal into a mould to produce earrings.

2. Glass Production

Within one of the commercial buildings, a workshop for the production and sale of blown glass has been uncovered. It featured a circular furnace with abundant vitrification on its walls, and associated with it were found large quantities of fragmented glass, test pieces, and slag.

Dishes, glasses, cups, ointment jars, and bottles, among other objects of varying qualities, testify that glass was one of the most widely used materials in daily life in Reccopolis, where excavations continue to reveal new manufacturing area.

Taberna floor plan identified as a glass workshop. Image of the glass furnace and its drawings during the excavation.
Floor plan of the tabernae identified as a glass workshop. Image of the glass furnace and its drawings during excavation.
Recreation of the interior of the glass workshop in the Visigothic period with the glass furnace on and three artisans working blowing glass and preparing the glass paste.
Recreation of the interior of the glass workshop in the Visigothic period with the glass furnace lit and three craftsmen at work blowing glass and preparing the glass paste.

3. Decorative techniques

The sculptural elements found show a high degree of specialisation in decorative stone carving. Capitals, shafts, bases, pediments, pediments, cimaces, openwork crosses, fragments of sarcophagi with geometric, vegetal and figurative representations, both human and animal, document a sculptural tradition originating from the late Roman world and the artistic innovations of the Eastern Mediterranean.

Representation of a sculptor carving a capital with decoration imitating plant motifs.
Depiction of a craftsman carving a column capital with vegetal decoration.
Carved stone choir stalls with nine perforations and geometric decoration.
Carved stone choir stalls with nine perforations and geometric decoration.
The capital of a carved stone column with decorative motifs imitating vegetation.
The capital of a carved stone column with decorative motifs imitating vegetation.
Fragment of a sarcophagus showing the upper half of a person's head.
Fragment of a sarcophagus in which a human figure has been carved. The upper half of a person's head can be seen.